Current Events

Amelia Earhart Eaten By Coconut Crabs?

October 25, 2009

AEleather As a new biopic about legendary aviatrix Amelia Earhart launches onto movie theater screens this weekend, speculations about her mysterious disappearance over the Pacific on July 2, 1937 have resurged.

One of the most plausible theories comes from researchers at The International Group for Historic Aircraft (TIGHAR).

For years TIGHAR experts have been searching Nikumaroro, an uninhabited tropical island in the southwestern Pacific republic of Kiribati, for evidence of Earhart.

A number of artifacts recovered by TIGHAR would suggest that Earhart and her navigator, Fred Noonan, made a forced landing on the island's smooth, flat coral reef.

According to TIGHAR, who is set to embark on a new $500,000 Nikumaroro expedition next summer, the two became castaways.

Abandoned on a desert island where temperatures often exceed 100 degrees, even in the shade, Earhart and Noonan likely eventually succumbed to any number of causes, including injury and infection, food poisoning from toxic fish, or simply dehydration.

The coconut crabs' great pincers would have done the rest, likely removing some of the last physical traces of this pioneering aviatrix.

"If Amelia died on Nikumaroro, her body was eaten by crabs. That's pretty much a given,” Richard Gillespie, TIGHAR’s executive director, told Archaeorama News.

The largest land-living anthropod in the world, the coconut crab, or Birgus latro, is famous for being able to crack a coconut with its great pincers. Nikumaroro is indeed home to a large population of coconut crabs and other land crabs of all size.

The following is a chilling fictional account of Amelia's death on this tiny coral atoll by Tom King, TIGHAR's chief archaeologist. Although entirely imagined, King's account (taken from his book "Thirteen Bones") is consistent with TIGHAR's archaeological findings.

Prologue: Nikumaroro – 13th October, 1937

The face of death was purple.

With beady red eyes on stalks, a dark, shiny lump between them that resembled a nose but wasn’t, wiggling feelers on top, a bulbous body trail­ing along behind.

“Bigger than my head,” she thought mildly, and shifted her eyes – aware of the effort – to examine the creature’s huge, battered pincers.

The giant crab – purplish-black, she decided – sidled out of her field of vision, clattering over the rubbly ground. She tried to keep it in sight, but found she couldn’t lift or turn her head.

Decided she didn’t need to.

“Going for my gut,” she thought, with relentless practicality.

Smaller crabs, clattering in a different key, dragging the pilfered sea shells in which they lived, were already nibbling at her legs and arms. Tiny ones too, hardly bigger than insects, but so many of them, so very many. She no longer felt them as more than an itch.

Hermit crabs, she thought fleetingly, eating a hermit. Alive.

Was she alive?

The ground seemed to be. Everything around where she lay, by the cold remains of her fire, seemed to pulsate with crabs.

So intent on their business. Eating her.

Alive, she thought, turning the word over in her mind. What was it to be alive, and how did it differ to be dead?

And which was she, now, under this tree, on this island, covered in crabs?

Alive, she decided, if barely so. And certainly – her brain began replay­ing it – she had been alive.

The memories, fragments, glimpses, fluttered across her dimming con­sciousness. Banking through canyons of cloud, skirting rain squalls and thunderstorms, watching the farms and roads and oceans, jungles and deserts pass under her wings. Seeing the great cities rising up on the hori­zon – San Francisco, New York, Mexico City.

The freedom she had felt, the sheer fierce joy of it, would have brought tears to her eyes, but she was far too dehydrated to produce them.

With an almost academic curiosity, she wondered what was killing her – besides the crabs.

Dehydration, of course, but something had made her too sick to move around and find water, and had brought on the explosive diarrhea that had left her so drained, weak, delirious. It was good the delirium had passed. Or had it? It didn’t matter.

Had it been the fish? The pretty little fish, caught on the retreating tide in the pools she had blocked off with the window screen from the ship­wreck? Cooked on the coals, torn apart by hand? They had tasted all right. Or the bird, caught by hand, plucked and cooked? It had been a fishy tast­ing thing, but why would it have made her sick? The baby turtles? The canned food from the pile near the shipwreck?

Or was it her infected foot? She couldn’t feel it now, but it had been swollen and horribly painful at times, ever since she had cut it on the way down here from the other end of the island. Thank goodness for Fred’s shoe when the foot got too big to fit in her own.

Her mind flickered. What would dying bring? For a moment she felt fear, but with a familiar act of will she put it away. She found it replaced by regret, especially for Mommie. Wished she could speak with her one last time, reassure her.

George would see to it, though; George had a way, and he was kind....

And he cared so for her life’s work, her story. She wondered vaguely who, if anyone, would find its last chapter, the scribbled pages stuffed in Fred’s sextant box. The last words marked in big block letters with pieces of dried-up rouge from her compact, after her pencil had gone missing.

Fred’s sextant box. For what he called his “preventer” – the nautical sextant tricked out with a bubble level to use in the air. She could almost see his face, his wry smile. Wondered if he would stay buried in the grave she had scraped out with her hands and a piece of wood. Or would the crabs get him, too?

With a sigh – had she sighed? Was she breathing? — she put it all aside, let herself sink away into her surroundings. The coolness of the coral gravel after the heat of the day. The darkening sky beyond the glowing green-gold leaves. The boom of the surf, unseen but so near. The squabbling cries of birds settling for the night, the vaguely felt nibbling of the crabs. A light misting of rain as a small shower passed over.

Another adventure.

The clouds were parting, and the sky was endless and glowing.

Her body’s last act was to smile.

“Wheels up,” she whispered. 


Excerpt from Thirteen Bones, by Tom King

Photo: courtesy of TIGHAR

Berlusconi: Sex Tapes And Phoenician Tombs

July 24, 2009

Italians are finally talking about Prime Minister Silvio Berlusconi's sex tapes .

What outraged the country is not the graphic content of some audio tapes which detail the 72 year old leader's sexual exploits with high class escort Patrizia D'Addario.

It is one transcript published in Italian media yesterday, in which Berlusconi apparently boasts to Ms D'Addario the existence of "thirty Phoenician tombs from three centuries before Christ" on his Villa Certosa estate on Sardinia.

The revelation has stirred a strong reaction from both the opposition and the National Association of Archaeologists.

"For years historians have debated whether the nearby town of Olbia was founded by the Greeks or the Phoenicians and these tombs could be the breakthrough needed to provide the answer," Giuseppina Manca di Mores, of Italy's National Association of Archaeologists, told reporters.

While the archaeologists are calling for an immediate examination of the tombs, the opposition is calling for an inquiry.

Under Italian law, archaeological discoveries must be reported to authorities within 24 hours.

Not having reported such findings to the archaeological authorities or police is a crime punishable by up to one year in jail and a fine ranging from 310 to 3,099 euros.

The opposition has asked Berlusconi to address the Italian parliament on the alleged finds and why they were not reported.

So far Berlusconi's response has been: "I am no saint."

Quake: 'Huge' Artistic Damage

April 07, 2009

The quake that struck the Abruzzo region early Monday morning is the deadliest in decades.

Reporting on the widespread damage to many historic buildings may seem rather inappropriate, especially after a night of powerful aftershocks and torrential rain, with the death toll continuing to rise and more than 70,000 people left homeless.

However, details about ruined treasures in Abruzzo's regional capital L'Aquila -- originally built in the Middle Ages as a mountain stronghold -- begin to emerge.

According to Italy's Ministry of Cultural Heritage, Abruzzo lost much of its ecclesiastic treasures.

L'Aquila's Basilica of S. Maria di Collemaggio, considered a masterpiece of Romanesque and Gothic architecture, has a collapsed roof over the central transept area. The belltower crumbled at another church, the 16th century San Bernardino, which features an altarpiece by Andrea della Robbia.

The domes of two other churches -- the Anime Sante church in L'Aquila, designed by the Neoclassical architect Giuseppe Valadier and the Baroque-style Sant'Agostino church -- are now reduced to tons of rubble.

The news agency ANSA reported that Porta Napoli, the oldest and most beautiful gate to the city built in 1548 in honour of the Holy Roman Emperor Charles V, is totally destroyed.

Heritage experts also worry for the National Museum of Abruzzo, which is housed in a 16th-century castle.The museum contains an important art collection and a beautifully preserved fossilised skeleton of a prehistoric elephant found near the town in the 1950s.

According to Heritage Ministry Secretary General Giuseppe Proietti, the castle suffered a collapse on the third floor and is too dangerous to access it at the moment, so it's not possible to verify the damage to the paintings there.

"The damage to the city's artistic heritage is huge,"Proietti admitted.

Michelangelo’s David too big for Florence

January 18, 2008


According to Paolo Cocchi, Tuscany’s culture councilor, Michelangelo’s David should stand in a dismissed railway station on the edge of the city ring road.
The place, known as Stazione Leopolda, is set to become a new concert hall.
“Florence has already reached the point at which tourism becomes unsustainable," Cocchi wrote in a letter to the minister of Culture and the Mayor of Florence. "To enlarge the area visited by tourists and reduce congestion in the centre would bring benefits for everyone."
Every year, around 1.3 million tickets are sold for the Galleria dell’Accademia, where David has been the star attraction for 135 years.
Moving the towering sculpture would be "extremely risky," according to Franca Falletti, the director of the Accademia Gallery. "There are cultural and conservation reasons that render this idea baseless and inopportune. The proposal is one that absolutely cannot be shared. For historical and scientific reasons we can affirm that David's home is in the centre of Florence."
Living in Florence, I can say that Michelangelo’s David is regularly tortured by extravagant ideas, and Cocchi's proposal doesn’t come as a surprise.
Bella Firenze is going to change -- and not for the best, I’m afraid.
Local authorities have planned to run a new tramline that would slice through Piazza del Duomo, the cathedral square, and run by side of the Accademia.
In the next future, 32 metre-long super-trams will run through monuments, Renaissance palaces and museums housing fragile art works.
No wonder they want to move David from the Accademia. Tremors from the tram -- not the impact of mass tourism-- would be a constant threat to the world's most beautiful statue.

Naples garbage crisis: a 2,000 year old problem

January 14, 2008



Naples_garbage
Herculaneum





What do they have in common?
Much more than you might think.



The first image has become distressingly popular in Naples these days. The other shows some analysis carried on a titulus pictus, a painted inscription used to communicate decrees and measures in ancient Herculaneum.

It was discovered in 2006 (here is my article ) on the eastern side of the city's water tank, but the find is now even more topical.

Yes, Naples' mountains of garbage aren't just a modern-day problem: the inscription shows that even before Mount Vesuvius buried Herculaneum under 75 feet of ash, local authorities were already trying to reign in trash.

"No Garbage Dumping," said the inscription, which was issued by two joint magistrates, Rufellius Romanus and Tetteius Severus.

Local authorities were very strict, at that time. Transgressors, if free citizens, would have had to pay a big fine. Lashes were reserved for slaves.


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