The Big Natural Musical Apple
I'm in New York, and to say that it is simply hot and muggy here is to mock Mother Nature's ability to make us feel sticky during the summertime. I write you this post as I peel my tube socks from feet that during the past two days of walking have begun to look more like soggy, awkward flapjacks rather than the combination of toes, heels, and ankles I remember. But like anyone else in the New York, I revel in it and find myself muttering time and time again, "What a city!"
Aside from weather, my trip to the Big Apple has reminded me of just how unknowingly revolutionary New York, and New Yorkers, can be.
I came to the city to research and report on two topics: the New York Waterfalls, an art installation that is challenging New Yorkers to recognize nature in urban environments,
and Indaba Music, a web-based application that is transforming music collaboration by removing the need for musicians to live and work close to each other.
Yesterday, I began reporting on the waterfalls that were installed last month in New York City by asking locals about how they felt being surrounded by inordinate amounts of concrete. If the creator of the waterfalls, Olafur Eliasson, intended to raise awareness of nature in New York, I first wanted to know whether locals even cared to see a tree, let alone a four waterfalls. So, I camped out in New York’s Union Square to pounce on passersby asking whether they felt nature was as prevalent in New York as it could or should be. To my surprise, not only were the strangers I stopped receptive, but they had an incredible amount of suggestions on how New York can go green (in the literal sense). Whether or not the New York Waterfalls filled this void is debatable. You’ll just have to tune in to Discovery-news.com this Friday for that answer.
I then finished up the trip today with a stop at Indaba Music. Indaba has created a social network for musicians online, which allows individuals who otherwise may have never found one another to meet and record music via digital means. These musicians record their music, upload their open-ended sessions to the Internet, and wait for others to add on to what they have already recorded. Indaba’s story is important because less than a decade ago the same manner of technology nearly killed the music industry through file-trading, while today digital communication is providing tools for musicians to fight back.
Well, it’s time to wash some socks and prepare for a breezy drive back to Washington, DC tomorrow morning. Check out Discovery-news.com for more on these stories soon!
























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